Let There Be a Book

July 19, 2018

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Hello! Happy summer. A brief update (I didn’t realize the last blog post was in April!)

Ashes To Ashes, the second and final book of my Bowie song-by-song criticism, is now done. Well, pretty much. There’s still a last, hard round of editing to come, then proofing, and likely some last-minute alterations in the autumn. But the work is finished. It’s strange to say that after all these years. All the Bowie songs are done.

Yes, yes: “but what about ‘Blaze’ or the 35 outtakes they’re going to release as soon as this publishes?” All power to them! I hope that they release tons of great Bowie music. But I consider this book my final word on the subject. Sure, many years down the road, if there have been substantial releases of currently-unheard music that would make me reconsider ideas or correct assertions, maybe I’d do a revision. And if they put out “Ernie Johnson” or “Black Hole Kids” or something, I’ll put an entry up on this blog to let people talk about it.

Two things about Ashes To Ashes:

  •  It’s publishing in early 2019, most likely in February. The date isn’t quite set yet, due to some variable factors. I’ll keep you updated.
  • It covers everything from “Sister Midnight” to “Blackstar.” It’ll be a big book.

Two things about the blog’s future:

  • There are five songs that I’ve written about for the book that I haven’t done as blog entries. I’m not sure what I’m going to do. I’ll likely put up one or two later this year, but you’re going to have to get the book to read some of them. Sorry. To quote the man, I can’t give everything away.
  • I’ve revised everything, sometimes radically, in the book. But the blog entries will remain as is, so don’t worry if you’re a fan of those versions. And the site will always be here. I’ll try to keep links up to date if I can, but that’s an endless, very tedious task. Given that the great majority of Bowie songs are on streaming services, the need for YouTube links isn’t as much a necessity for most entries anymore.

Thanks for your support over the years, and I hope you’ll enjoy the book. If you liked Rebel Rebel, you probably will. Talk soon.

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Hey, Didn’t You Have a Blog Once, or Tentative Outcomes

April 8, 2018

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Easter has passed and the most recent entry on this blog is its Christmas post. So, time enough for an update.

Here’s where things stand. I’m trying to finish the book in the next couple of months, with the hope of it coming out next year. Repeater Books, as always, has been very forgiving of my tardiness. A while ago, I determined that I had to go straight through and revise the whole manuscript before writing the final song entries, rather than periodically stopping revisions to write a new entry, as had been my original plan.

So I’ll be in the unusual situation of writing the last entries for the book before putting them on the blog. The book may well come out before some entries do. But at some point, they’ll all be up, or at least they’ll be available somewhere, in some form.

A few more things. I’ll be presenting at the Pop Conference in Seattle later this month, offering what’s essentially a remix/remodel of a few entries—mostly “Boys Keep Swinging” and “Criminal World.” And I’ll be getting down to New York to see the David Bowie Is exhibit before it closes, as I hope many of you have been able to do, too.

That’s it for now! Hope the spring is treating everyone well, and see you soon. (“Soon” being a relative concept on this blog, of course.)

best
CO


(Oh We Know It’s Not the) Last Xmas

December 22, 2017

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Do They Know It’s Christmas? (Live Aid, 1985).
Bowie’s 2013 Xmas “Elvis” Message.
Peace on Earth/The Little Drummer Boy.
Peter and the Wolf.
The Snowman.
Feed the World.

In the grand tradition of this blog, the Xmas post will announce “well, this could be the end—only a few entries to go!” and then a year later, we’re still here. No such silly promises this time around. The blog will still be up on Xmas 2018, and there still may be an entry or two to go! “You think it’s easy? Realism.”

Some announcements:

Repeater Books and I are getting close to nailing down when Ashes to Ashes will come out—best guess is in a little over a year’s time. I’m in the thick of editing/revising all of the ’90s chapters, pretty much at once. When that’s over, and the few remaining Blackstar pieces are written, it’s done. So, only a matter of a few (possibly nightmarish) months of work left.

Also, if you happen to be in Seattle for the Pop Conference in late April, you can see me do a presentation called “Boys Keep Swinging In a Criminal World,” which is essentially going to be a mash-up of the “John, I’m Only Dancing,” “Boys Keep Swinging” and “Criminal World” entries, with various other bits. With hope, I’ll have finished the book by then and will be in rather good spirits.

Happy holidays to all and here’s to the new year. Thanks for your patience and support, particularly to those who bought the book (or are considering doing so).

Here’s to David Bowie: you’re missed more than ever. Everyone says ‘hi.’


State of Play

April 13, 2017

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A few people of late have asked me (on Twitter, Facebook, name your social media) about what’s going on with this site. No updates in two months!

Here’s the thing: I’m behind in writing my book, which is due this year to Repeater Books. In part because after Bowie died, I pretty much couldn’t write anything of value for half a year. I lost that time, and, you know, I don’t regret it (I listened to a lot of Bob Dylan). Something of the same was true for Nicholas Pegg, and I imagine for other writers on DB. It was just tough to do anything productive then.

But I am behind. And, to be honest, this blog doesn’t pay any bills. Books do, in a very roundabout and not-particularly-lucrative way. My day jobs do.

The priority for 2017 is therefore: finish the book as quickly as I can, and work when I need to, which is very often. The blog is, sadly, a secondary business at this point. I need to write the last Blackstar entries, to air them out before I finish the book—that is the impetus to get them done. But otherwise, the blog cannot be a priority. I hope you understand.

The next entry should hopefully be done this month. Or it won’t. Take it as it comes. And thank you for your support.


Last Xmas

December 23, 2016

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Do They Know It’s Christmas? (Live Aid, 1985).
Bowie’s 2013 Xmas “Elvis” Message.
Peace on Earth/The Little Drummer Boy.
Peter and the Wolf.
The Snowman.
Feed the World.

It’s an established annual tradition that this blog will run a Christmas post and say, “well, this could be the last Xmas post, as we’re almost done.” And then Bowie would put out some new thing. But this time, I am very nearly sure, is the end. Even at my current slow pace (hindered now by a sprained wrist I got from falling on ice early this week—I am typing this with a splinted hand and using an enormous pencil to hit right-hand keys; it diminishes verbosity), I can’t imagine I won’t get through the last nine songs before Dec. 2017. The next entry will be up in early January, here’s hoping.

So happy holidays to all. Thanks so much for your support, particularly to those who bought the book (a royalty payment that came last week has been a great help). It’s been a tough year, no? We’ll get through the last songs in 2017; I’ll finish the second book, and hopefully do Bowie justice.

Here’s to David Bowie: you’re missed more than ever. Everyone says ‘hi.’


Where Do We Go Now?

January 13, 2016

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It’s been two days now, and I’ve barely started to process the fact that he’s gone. As Ned Raggett said, seeing Bowie referred to in the past tense on Wikipedia seems wrong, in some way. But we will have to get used to the world seeming wrong.

I’ve stayed out of the way on the “in memoriam” post and let you talk; I’ve done enough talking on this blog over the years. It was your turn, as it was in the poll. Which, eerily, served as a commemoration of Bowie’s body of work in the weeks before he died. I wondered if he ever read the blog, but didn’t think he did. But I hope that maybe someone told him about the poll, so he could see how much you loved him.

I hope the blog’s helped; I hope using the Twitter feed as a Bowie radio station and news service has helped.

The plan was, way back when in happy early January, that I would write the last Next Day entry, “Heat,” and then take a hiatus until late spring or summer. Because it felt like Blackstar was the start of something new, and that there would be more songs, and more developments to come, and I needed time to absorb it all and try to think about the songs.

And that’s more true than ever now. I am so grateful that I didn’t write about “Sue” yet, or the Lazarus songs, because they’ve all changed radically now for me. Bowie’s entire comeback, starting with the morning that we found out about “Where Are We Now?” seems to be one whole work: the greatest piece of performance art of the 21st Century. Or the last.

So: there will be a long time before the next entry. At some point later this year, hopefully sooner than later, I’ll turn the lights back on, and we’ll start with “Heat” and go through to the end. Which is not the end. I hope that Duncan Jones or whoever runs the estate will keep authorizing releases of dozens of unheard Bowie songs annually for the rest of my days.

I saw someone saying somewhere that I was always “complaining” about Bowie releasing new material. I wasn’t. It was a joke. I was the butt of it: I was Bowie’s straight man. He will always be pushing ahead of me; I’ll never catch him.

Take care. Talk soon.

CO


David Robert Jones, 1947-2016

January 11, 2016

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Goodbye.

If you need a place to talk, here it is. Be nice to each other.


It’s Xmastime Again

December 23, 2015

bowie-xmas

Do They Know It’s Christmas? (Live Aid, 1985).
Bowie’s 2013 Xmas “Elvis” Message.
Peace on Earth/The Little Drummer Boy.
Peter and the Wolf.
The Snowman.
Feed the World.

Well, running the song poll took more out of me than I thought: I’ve been in recovery all the past week, and I probably won’t get to the album poll results until around the new year.

So instead, the annual tradition. You know how it goes: I put up a Christmas post and say “well, this looks like it’s the last Xmas post for the blog” and then the thing keeps going for another year.

It’s Bowie’s fault, really. Here’s what I wrote last year: “Barring another Bowie album in 2015, this is the last Christmas post of the blog’s “primary” life. (It will have an afterlife of sorts, and so probably more Xmas posts.)”

And what did we get? A new play AND a new album! So I won’t even try to say this is the last Xmas post. I’m sure I’ll be here in December 2016, complaining about how the Lazarus: More From the Crypt 3-CD deluxe set means yet more songs to cover.

Anyhow: have a great holiday and a fine new year. Thanks again to everyone who bought the book, and for your support and kind words over the years. 2016 should bring: the long-awaited “Heat” post, probably all the Blackstar songs at some point and the rollout of a new music blog in the spring (ish).

Previous Xmas posts have reshuffled a small set of Bowie holiday material: the 1977 Bing Crosby duet; DB’s intro to The Snowman (1982); his cameo on the Band Aid B-side “Feed the World,” his Elvis impression of a holiday greeting, broadcast Boxing Day 2013 on Radio 6’s This Is Radio Clash and Peter and the Wolf because it’s fun and sort-of wintry. For this year, I threw in the ragged “Do They Know It’s Christmas?” finale from Live Aid, with Bowie singing the opening lines (as Bob Geldof had wanted him to on the single).

Thanks to all readers, past and present.

As with last year, the Snow Bowie GIF is from Consequence of Sound.


“Blackstar” Open Thread

November 19, 2015

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A place for thoughts on the new single, speculations on the new album, general thoughts on Lazarus, what have you.


A Contest

February 27, 2015

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We’re now a month away from the release of Rebel Rebel, and as a first bit of hype I offer a reader contest. The winner will receive (drum roll)….a copy of the book mailed to them, before the publishing date. If you’d like, I’ll sign the thing, too. And I will write whatever you’d like me to, barring it being obscene or potentially libelous.

The “Bring Me the Disco King” entry opens with a fictional account of a woman who attended a Bowie concert at Madison Square Garden in August 1977. The conceit is that in this alternate universe Bowie, instead of escaping to France and Berlin in late 1976 and recording Low and “Heroes,” instead found himself back in Los Angeles and, a year later, was touring again.

So, my challenge: what would the set list of this 1977 show be? The most inspired one wins a book.

Some parameters. Here are a bunch of set lists from the 1976 tour as a first guideline. Bowie typically played 15-20 songs a night in ’76, which would likely be what an even Thinner White Duke would do in 1977. Let’s not have him doing some marathon 35-song set, for my sake.

My fake account begins with him singing “Five Years” and later has him playing “Sister Midnight,” “Sweet Head,” “Fame” and “Stay,” but you don’t have to include these songs. Feel free to do so, though.

Songs on the list should be confined to anything Bowie recorded prior to 1977, and given the path of our fictional narrative, it’s unlikely any of the Eno instrumentals would have been written, so no “Warszawa” exists in this world, for instance. If you make the case that Bowie would be singing something from the ’80s, explain why, and it had better be a good reason.

Points awarded for originality and flow (would this have worked as an actual set? Don’t just throw a bunch of songs together). May the best person win!

Send your ballot to: bowiesongs@gmail.com (put “setlist” in the subject line) by Friday, March 6. I’ll choose a winner on the auspicious date of Friday, March 13, and will try to get the book in the mail that weekend. Obviously, if you’re outside the US (where I live), the book will take a bit longer to reach you, but you should get it prior to the official publication date (edit: well, it looks like the book’s begun shipping to pre-orderers,so you won’t get it before they do. But hey, you won’t have to pay for it).

Best of luck.

CONTEST OVER: THANKS FOR THE AMAZING ENTRIES. IT WILL BE MURDER TO PICK ONE OF ‘EM AS A “WINNER.”