As you’ll see in Ashes to Ashes, I made a joke that I expected the Bowie estate to release “Blaze” or another Blackstar outtake on his birthday, thus rendering the book incomplete before it published. This, surprisingly, did not happen (still a few hours left, though). But there is “new” Bowie music today nonetheless.
This Parlophone set of demos, perversely to be issued only on 7-inch vinyl singles for the time being, could have been titled DB ’68, as it seems to be mostly material written and demoed that year (or at the dawn of 1969, with “Space Oddity”). The “new” songs are:
Angel, Angel, Grubby Face. Demoed for Bowie’s never-made second Deram album, it was described by Nicholas Pegg as Bowie still being under the influence of British writers Keith Waterhouse and Alan Sillitoe, from whom he’d taken plotlines and titles for his first album (“Uncle Arthur,” “There Is a Happy Land,” “Little Bombardier”).
Mother Grey seems to be along the same lines, another piece of DB’s “surreal naturalism” period, lyrically. Demoed around late 1967/early 1968, and likely another “2nd Deram LP” contender.
Goodbye 3d (Threepenny) Joe. A title circulating for years, and I wondered in Rebel Rebel if it was the midway point between the transformation of “London Bye Ta Ta” (which has a new demo version in this set) into “Threepenny Pierrot” for the Looking Glass Murders in 1970. It seems possibly not, but we’ll see soon enough!
Love All Around. The scoop! Not even the title had been mentioned in Bowie histories, lists of bootlegs, etc., until now, I believe.
In addition, an upcoming auction lists three more unknown DB demos from 1965—“How Can i Forget You,” “I Live In Dreams” (“which includes a false start and some discussion around the key of the song”) and “It’s My True Love.”
The Parlophone set seems in part to be a copyright dump (hence the notice that the songs appeared for likely six hours on “streaming services” in December) and thus suggests in the years to come, we might get official releases of the heap of unreleased Bowie demos from that period—“Right on Mother,” “Rupert the Riley,” etc.
So as the Strokes once said, the end has no end. Here’s to Bowie’s birthday, and hope all of you are well.