This entry, on a minor but sweet song from ca. late 1967, is in the book but never was on the blog. This was due to the fact that the recording didn’t leak until well after I’d covered the Sixties on the blog (2009, basically–I think “C’est” only popped up around 2012).
I am curious whether other demos from the messy “second (and never recorded) Bowie Deram LP” era of late 1967 to early 1968 will eventually surface. I wouldn’t be surprised if so. Looking forward to hearing “Angel Angel Grubby Face” and the Ernie Johnson tape someday.
Bowie wrote “C’est la Vie” in summer 1967 and his manager Kenneth Pitt sent demos that October to song publishers and the American singer Chris Montez, to no response. The elaborate tape, which had eight instrumental and vocal versions of the song, with multiple vocal overdubs and prominent clunky bass (apparently Bowie), suggested Pitt thought “C’est la Vie” one of Bowie’s more commercially promising efforts.
Considered for Bowie’s second Deram album but never taken beyond the demo stage, “C’est la Vie” had a warm melody to suit its lyric’s homebody sentiments. Bowie’s content to watch the world pass by his window, hoping that time will pass him by in turn. It’s a lassitude found in a contemporary interview he gave to Chelsea News (“David is contented with contentment: he is a happy loving person with a gentle nature”). He later reworked one line for “An Occasional Dream” (“burns my wall with time”) and recycled some of its top melody for “Shadow Man.” You could also argue that “Conversation Piece” starts here.
Recorded: (demo, still unreleased) ca. September 1967, Essex Music. Bowie: lead and harmony vocals, acoustic guitar, tambourine, bass?
Top: John Atherton, “London, 1967” (“September 13, 1967 at St. James’s park. She was from Germany.”)