As its recording was used as pre-show music for much of the Reality Tour, was “Queen Of All the Tarts (Overture)” once intended as an album intro? If so, its demotion to bonus track was likely owed to sequencing—the Queen doesn’t sit comfortably amidst the more common tracks.
A track whose centerpiece is a two-tiered (possibly two-fingered) synth solo courtesy of the artiste himself, “Queen of All the Tarts” features the usual Reality impasto of guitar overdubs (Earl Slick, David Torn and Gerry Leonard all seem to make an appearance: is Torn playing the militant, jabbing line towards the outro?). The bassist (Mark Plati or Tony Visconti) sounds like he’s downed a few espressos; Sterling Campbell tracks in some thudding tom fills (there are also low-mixed sleigh bells).
Its lyric’s a repeated one-line refrain, essentially a vocalized keyboard line, with odd two-note harmonies (a multi-tracked Bowie souped in with Gail Ann Dorsey and Catherine Russell). It comes off like Bowie’s version of Queen’s “Flash’s Theme.” And don’t forget the parenthetical: if it’s an Overture, for which glam opera? It’s as if Bowie’s written an intro piece for a younger self, casting the song back in time. So Queen Bitch walks again, having grown more regal, if wearier, in her waning years.
Recorded: (rhythm tracks, vocals) January-February 2003, (lead guitars, lead and backing vocals, overdubs) March-May 2003, Looking Glass Studios, New York. Released 16 September 2003 on the 2-CD version of Reality.
Top: Jonathan Monk, Stop Me If You Think You’ve Heard This One Before, 2003 (MoMA).
Book hype footnote: pre-orders available now, see top right box. Non US/UK people: check out Book Depository, which allegedly ships free worldwide.